The Tenshin Shoden Katori Shinto-ryu included iaijutsu in its curriculum in 15th century. The blade may be brought out of the saya and used in a quick nukitsuke slashing motion. This is a very quick draw accomplished by drawing the sword out of the saya by moving the saya back in saya biki. The ability to react quickly from different starting positions was considered essential for a samurai.Ī very important part of iaido, is nukitsuke or the life of iai. Starting positions can be from combative postures or from everyday sitting or standing positions. The secondary emphasis is on drawing the sword and responding to the sudden attack as quickly as possible. The primary emphasis in iaido is on the psychological state of being present. Some styles and schools also do not practice tameshigiri, cutting techniques. Some traditional iaido schools, however, include kata performed in pairs. Iaido forms, or kata, are performed individually against one or more imaginary opponents.
In contemporary usage, battojutsu focuses on the techniques of cutting, with individual practice kata that starts with the sword in the sheath. 17th century), and the current term iaido is due to the general trend (stemming from gendai budo) to replace -jutsu with -do in Japanese martial arts in order to emphasize a mental or even spiritual component. The term iaijutsu became prevalent later (ca. 15th century) term encompassing both the practice of drawing the sword and cutting (tameshigiri). * Kenjutsu is executed in the form of kata, but usually in pairs, and often does include drawing or resheathing of the sword.ĭelineation from battojutsu, literally “technique of drawing the sword” is more difficult: battojutsu is the historical (ca.
IAIDO SWORD STYLE FULL
Kendo is practiced with a partner in full contact training or in kata practice. The main weapon used in kendo, a flexible bamboo shinai, uses no scabbard. * Kendo teaching does not include drawing and re-sheathing of a sword. Iaido should not be confused with kendo or kenjutsu: However, around a century before his birth, the dynamic art of iaijutsu had been developed by Iizasa Ienao, the founder of the Tenshin Shoden Katori Shinto-ryu. In the book “Bugei_Ryuha_Daijiten” by Watatani Kiyoshi and Yamada Tadashi, Hayashizaki Jinsuke (Minamoto no) Shigenobu is credited with establishing the influence and popularity of iaido, early in the sixteenth century. Beginners may use an iaito while the more advanced practitioner might use a shinken (sharpened sword). Modern day iaido exponents typically use an iaito for practice.
do, approximately “the path of mental presence and immediate reaction”, is a Japanese martial art associated with smooth, controlled movements of drawing the sword from its scabbard or saya, striking or cutting an opponent, removing blood from the blade, and then replacing the sword in the saya.
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